Brilliant article by Grinnell's Carolyn Herbst Lewis

Frozen Pipes on the Prairie

Life jackets

Orange of life jackets, clear plastic of water bottles. The brown water running through Flint (and other) water pipes.

Doris Humphrey says, start with the end

...came to me... the floor is flooded with bottles.  We have danced through them; and then the bottle dress goddess appears in the shop/alcove.  By scale she is more than human.  She glides in. amongst the bottles, trailing her own bottles, and from the sides and upstage gallery, the ball chain spilling happens as,  the bottle dress goddess glides into the space, she starts slowly spinning... (she is on wheels, right?) and the dancers join in the spinning, sufi-trance like, spinning. 

Sufi sect dancing

But in hoop skirts frames. Which are rather umbrella reminiscent. 

At a tilt

Today's thoughts:

I would like to designate the up top alcove (that thrusts from the shop) to be the "kitchen", as in the choreoscript, there is a sense of someone drinking coffee (or tea) and contemplating.  I would like to use that alcove area for that imaginary space.  I am imagining if it could be slightly tilted?  A linoleum kitchen floor, on a slight angle, a small kitchen table and chair perched on that angle.  Suggested in the area, a "stove" with a tea kettle.  I will be using tea kettle whistling as a sound element. I see this little "set" as "floating" in that alcove. 

Metamorphosis. Scenic Design by Philip Engleheart

Along with that, I imagine the first time we see someone at that table that the tea cup/coffee mug is normal size.  But then each consequent time, the cup is larger.  Growing surreally. The final scene, when the bottle dress goddess is filling the space and spinning with the other dancing/spinners that the lights in the alcove space would create a sense of that world up there swirling like tea/coffee/water in a cup, as if now the actor is now longer holding the liquid/but the liquid is holding the actor.

The Small Things. Scenic design by Mayou Trikerioti. 2006